Saturday, June 10, 2017

Photo Fishing


As I have mentioned a few times before, I love walking along downtown streets, taking pictures as I go. I might take 200-300 shots in an hour or so. Then I sit in a comfy chair and look through my shots to see what goodies I caught. My favorite subject matter is store windows -- day or night -- because you can see the inside and outside world at the same time.

I was just in Manhattan for a business trip and had several opportunities to snap photos as we walked to dinners and around the hotel on the last morning in town.

Below are some examples of how there can be hidden gems in your pictures. "Zoom in and crop" is how you can take a picture from ho-hum to hmmm!

Each set of pictures shows the original and then the cropped version I made. In some cases I also used Photoshop to boost the color or add a filter.

A random street turns into...


...a story about people and cars in close spaces
A nice pink jacket, but nothing to see here, right?...

...look at the almost abstract hiding in the lower left corner.
I used a filter but can't remember which one -- maybe Paint Daubs.

 


I liked the strong sunlight framing the couple who had been walking in front of me so I snapped a series
and liked the pose below that turned up in one of the shots.
 
 

 
Waiting for the right people to walk into the scene can make a difference.
 
 
 
I snapped a series of about six images as we crossed the street and ...
 
...found this comparison of two relationships in one of them!
 
The solid color clothing doesn't distract from outside scene reflections so you can often get nice details.
 
I cropped the top half of the photo. I boosted the saturation and used the Poster Edges filter in Photoshop.
 
another view. I used the Cutout filter in Photoshop on this one.
 
Occasionally I find my way into a photo...

 
 

Monday, January 16, 2017

Embossing Powders on Polymer Clay


A few weeks ago I bought a heat gun and then last week I saw a video on Instagram in which gold embossing powder was used on calligraphy. These two unrelated events caused two more things to happen: I thought, "Hey! I can use embossing powders because now I have a heat gun." And I headed off Michael's to get some embossing powders.

At first I just got gold and white, and a mixed sample kit of black and silver, along with two Perfect Pearls glue pens (brush and bullets points), and an adhesive applicator with a sponge top.

My initial thought about the embossing powder was, "Yay! Finally, there's a way a way to make bold, opaque metallic lines on a bead. (And, also, now I want to learn modern calligraphy!)

So the first experiments were these:


But then, two more things happened:
1. As I heated the bead while it was mounted on a skewer, I saw the similarity to flameworking.
2. Now that I knew the powders were functioning as I had hoped, I bought more powders: sparkly gold, white, black, bronze, sparkly black, silver, clear, and chunky gold.

I pulled some not-so-good beads out of my stash and used the embossing powders as faux flameworking, though I think the finished products look more like ceramics than glass.

HOW TO:
I put a cured bead on a skewer. The bead had been made on a skewer so the hole was tight enough that the bead didn't slide up and down and then I went to town...

The original bead was mostly turquoise with some gold and yellow on it. I very, very lightly coated the bead with the Perfect Pearls adhesive in a sponge top applicator. I sprinkled a tiny bit of scrap powder all over the bead and hit it with the heat gun on the lower speed.
I have a Black & Decker heat gun with two speeds. The lower speed doesn't blow the powder off if you hold it at a distance and only move closer when the powder starts to melt.

After the first layer of powder is on, you no longer need the glue. If you turn the skewer while heating the bead the surface will be warm enough to make the powder stick.

Next I sprinkled on some white. I sprinkle the powder directly from the container. Put a piece of paper below where you're working to catch any excess and put it back into the container.
Or, if that's too much trouble, dump all your powder "scraps" into one container and use it as the base for your next beads.


More gold.
Sometimes I put layers of clear between the opaque layers to give the illusion of depth.


...and chunky gold...


If you keep the heat in one spot, the powder will begin to break up (a little bit is good but don't over-do it -- the melted powder will flow if you're not careful.)

Keep the bead on the stick a while to let it cool off. But if you get impatient and you touch it while it's still warm and leave a fingerprint, no worries! Just hit it with the heat again and the fingerprint will melt right out.
If you get a few bubbles from air trapped between the layers, wait until the bead cools a little, pat the bubble with your finger, and then melt the fingerprint.

CLEAR EMBOSSING
In the example below I didn't want to cover up the pretty colors underneath so I put the adhesive on the bead and sprinkled it only with clear powder and the chunky gold bits which I had mixed together.





I made a video to show the basic process. You can't see detail but you'll get the idea.
(If you can't view it on your phone, view it on a laptop. I don't know why, but the video that was shot and edited on my phone, cannot now be viewed on my phone when I try to launch it from the blog. Go figure.)

video

I tested the beads to see how well the finish holds up. I threw the clear one above 
 10 times and there's not a scratch or crack on it. See the video...

video



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